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"Good!" exulted Stanhope. "Three down, Billy!",

"There you go, ag'in," cried Billy. "How many times have I gotta tell you, Maurice, that Trigger Finger Tim never used writin'. He used symbols—that's what he used. Do you know what a symbol is, you poor blockhead?",

"British!" said Mr Lawrence in a moment,[Pg 293] as though speaking to himself, "as I thought," holding the man-o'-war in view in his telescope, and marking the slow soaring of the British flag to the gaff-end of the two-decker.,

"A man falls sick of small-pox. What are you to do with him? You can't cure him, and you can't heave him overboard. But because one falls ill it surely does not follow that the others should go sick. Besides, we carry no surgeon, which was an additional incentive to my suggesting a sick-bay to Captain Acton."

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September passed laden with summer perfumes and song and, beneath a blanket of hoar frost, October awoke to send her hazy heralds far across wooded upland and open. Slowly those wreathing mists kissed leaf and fern, as though whispering: "Rest sweetly, until spring brings you back once again.",

CHAPTER X MR LAWRENCE AND MR EAGLE,

"Another slice, John!" said Pledge, pushing his plate, and cutting a big chunk from a loaf.,

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.